The Indian continent has produced some of the world’s greatest writers, and a body of literature renowned for its sustained imagination, and impassioned lyricism. This course explores the concept of Indian national identity as articulated through its literature and film. Most of the texts are contemporary and written in English although translations of some older texts will also be incorporated. The course will engage with writers based in India such as Arundhati Roy, as well as diasporic writers residing in the West such as Salman Rushdie and Jhumpa Lahire.

On completing this course, students will have a sound understanding of contemporary Anglophone Indian literature and film.

They will have enhanced skills in critical analysis, a sound knowledge of post colonial and diasporic approaches and stronger presentation skills.

Research essay worth 50% due in week 8.

End of semester exam comprising of 2 essays worth 25% each.

Assessment is based on depth of knowledge of the course material and ability to demonstrate analytical skills to critique the texts.

One lecture per week (20 hours of lectures in total per semester) and one 1 hour tutorial per week.

Students can normally expect to spend 7-8 hours outside of contact hours to complete the course.

No knowledge of Indian literature required.

Proficiency in literary analysis and strong English language skills are however required.

Any two English courses.

Courses in English; Film; Gender, Sexuality and Culture and Asian Studies.

* Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism
* Salman Rushdie, Midnight's Children