DESA3002 Major 5
The details for the course, Major 5 (DESA3002), apply to all of the following topics. Specific descriptions for Syllabus and Proposed Assessment that apply to each topic are detailed below.
Ceramics
Syllabus
Students extend their studies through independent study programs in which they develop designs demonstrating individual themes and work methods and through which they are encouraged to develop a particular and focused body of work in which they have a personal interest. The study program as outlined in a Work Proposal (see guidelines provided with Program Requirements and Assessment Criteria) is subject to approval by the Head of Workshop or relevant lecturer.
Contact: Head of Ceramics Workshop, Janet DeBoos
Furniture
Syllabus
In Major 5, students develop independent study programs initiated from set design briefs drawn from the genres of furniture - chair, table, and cabinet. Students are expected to participate in specific projects initiated by Visiting Artists and which cover specialized areas, demonstrations, and discussions dealing with specific processes and conceptual considerations. By this level the student is required to provide a clear demonstration of innovation, critical thinking, technical soundness of making and maturity in understanding the design process.
Contact: Head of Furniture Workshop, Rodney Hayward
Glass
Syllabus
Students extend their abilities by developing individual designs based on themes and working methods through an independent study program. They also participate in set projects, which cover specialised areas, demonstrations and discussions dealing with specific techniques, processes, and conceptual considerations. The study program is outlined in a Work Proposal, and is subject to approval by the Head of Workshop or relevant lecturer. Students are required to clearly demonstrate innovation in their technical work methodology, critical thinking and resulting artwork.
Contact: Head of Glass Workshop, Richard Whiteley
Gold and Silversmithing
Syllabus
Students extend their studies by developing individual designs based on themes and work methods. The programs of study are project-oriented and concentrate on developing students' skills and on choosing and applying techniques appropriate to their particular tasks. There is a greater emphasis on the use of varied methods in the same work and on the use of new materials, different combinations of materials are introduced. Individual projects are decided in consultation with Workshop staff. Students are expected to achieve a high degree of self motivation and independence.
Contact: Head of Gold & Silversmithing Workshop, Johannes Kuhnen
Sculpture
Syllabus
Students are encouraged to pursue personal interests and approaches to making through independent research (Individual Work Proposal IWP). Sculpture supports students wishing to participate in Environmental Studio Field Studies trips and programs as part of the IWP. An experimental and expansive approach to making is encouraged and students exploit a range of conceptual, thematic and design considerations to facilitate personal concerns in the field. Independent research facilitates a growing understanding of critical and theoretical issues underpinning making. Focus sessions are held on the subject of professional development for sculptors in the public arena. Studio theory facilitates approaches to independent research while continuing to develop critical awareness of artists, ideas and approaches to making. A demonstrated understanding of Occupational Health and Safety issues and responsibilities of the artist as they have been introduced through procedures and studio management is necessary.
Contact: Head of Sculpture Workshop, Wendy Teakel
Textiles
Syllabus
Students extend their technical, conceptual and art/design/textile skills in the development of an independent study program subject to approval by the Head of Workshop or relevant lecturer. An increasing level of critical and contextual understanding is developed through critiques, reviews and studio theory presentations. Professional textile practice is the focus of textile studio, gallery and museum visits.
Contact: Head of Textiles Workshop, Valerie Kirk
The information published on the Study at ANU 2012 website applies to the 2012 academic year only. All information provided on this website replaces the information contained in the Study at ANU 2011 website.
