The course examines aspects of 19th-century art and architecture in Europe after Romanticism, and will concentrate on the emergence of modernism in the painting of the Impressionists and their circle. Themes to receive special attention will include the representation of everyday life, realism and naturalism, and the changing roles of academic art.

 By the end of this course, you should be able to:

1. Describe the major developments in 19^th century French art, particularly in relationship to the emergence of Modernism.

2. Connect major social and political developments with artistic movements from Realism through to Post-Impressionism.

3. Demonstrate an understanding of the market forces surrounding the ‘painters of modern life' and how they negotiated a conservative art world.

4. Research and access information on French 19^th century art and organise your research into compelling and intelligent arguments.

5. Speak with confidence about 19^th century French art.

Oral presentation and paper - 1000 words (25%) (LO 2, 3, 4, 5)

Research essay – 2500 words (45%) (LO 1, 2, 4)

End of semester visual test (20%) (LO 1, 2, 3)

Tutorial participation (10%) (LO 1, 2, 4, 5)

On campus but with many tutorials held off campus but within Canberra.

Contact hours include 3 hours per week in lectures and tutorials.

Students are expected to complete an average of 7 hours per week outside these contact hours.

Introduction to Art History ARTH1002 and Introduction to Modern Art ARTH1003 or permission of the Coordinator.

Frascina, F, et al, Modernity and Modernism: French Painting in the Nineteenth Century, Yale 1993